Collage aus 55 Kontaktabzügen je 2,5 cm x 3,5 cm von 35 mm Dia-Positiven, proprietäre fotografische Entwicklungstechniken (verschiedene Temperaturen / Chemikalien)

Aufnahme, Entwicklung und Erstellung der analogen Version 1990-1991, Calí, Kolumbien

Veränderte Bildanordnung, Digitalisierung, digitale Bearbeitung 2001, Berlin, Deutschland

110x80cm GalleryPrint (Fotodruck auf Acrylglas mit verstärkender Alu-Dibondplatte), Glanz, limitierte (10) digitale Reproduktion

Auszug aus einer Rezension von Michael Meyers Arbeiten, verfasst von Sharon Frost, Expertin für Fotografie an der New York Public Library von 1980 bis 2002:

… His large-scale pieces, sometimes shaped at the edge or split apart, are made up of many small photographs whose images are interconnected and play out their drama in grids. Michael thinks of these dramas as personal fables.

…The very repetition of modular frames , especially when combined with the large scale of these pieces, brings with it existance in time, adding an undeniably cinematic element to the viewer’s experience.

…The sense of time evoked, is almost circular, a struggle with the constraints of experience, that is quite claustrophobic. In his photographs, Michael explores an existencial anguish, that is dark and disturbing, viewing his work like „…the scream of the Beings“, as a protest to violence, a scream for liberation and against censures, where art is the only and last redemptive instrument.